|
{31} ASAIL Newsletter, N.S. Vol. 4, No. 3, Summer, 1980 Since the
publication of Scott Momaday's House Made of Dawn in 1968
an increasing number of works by Indian writers has been published
which confirm the continued vitality of Indian peoples. James
Welch's Winter in the Blood, Simon Ortiz's Going for
the Rain, Leslie Silko's Ceremony, and Gerald Vizenor's
Darkness in St. Louis Bearheart, illustrate the richness
of this literature. These works are informed by a sense of history,
a knowledge of the Indians' blending with the land over thousands
of years and of their recent contacts with alien cultures whose
relations to the land have been inimical and destructive. Charles
Roberts
{46} Ramsey was
born in the country from which these stories come. The Ramsey
ranch is on land above the canyon of the Deschutes River, a few
miles west of the central Oregon town of Madras; a mile or so
further west, the road declines precipitously, spectacularly,
amidst rimrock, to the level of the river and the edge of the
Warm Springs Reservation. The home was an apt representative
of the coming of American high culture to Oregon, an island outpost
of its literature and music, tree-shaded, under an endless sky.
Nearby another tradition, older in the land, continued almost
unseen. Ramsey's father, the judge, knew some of the leading
Indian people of his generation. Ramsey, growing up, found arrowheads,
sought out petroglyphs, and let curiosity grow into poetry and
scholarship. For some sons, the country has a history, for others
a living, and those who pursue the former find the latter hard
to come by in the place itself. So, from Rochester, Ramsey offers
this book, his major effort so far to help make the older tradition
of the land alive in public understanding. It is, I suppose,
both a way of giving back some of what he has learned and of
getting back, imaginatively, himself. Dell
Hymes
AMERICAN INDIAN ART MAGAZINE, 7333 E. Monterey Way, #5, Scottsdale, AZ 85251, seeks mss. suitable for this very handsome journal. Articles based on original research, treating topics from an art historical perspective are wanted. Subscript. $14.00/yr. Contains book reviews, exhibition listings, plus superb color reproductions. Robert Davidson: Haida Printmaker Studies in American Indian Literatures, the Newsletter of the Association for the Study of American Indian Literatures, is issued four times a year. Annual subscription $2.00 until Jan. 31 for four issues, thereafter $2.00 for remaining issues of that calendar year with back numbers for the year $1.00 each. For prices of vols I-III consult 3:4 or write The Editor, 602 Philosophy Hall, Columbia University, New York, NY 10027, to whom contributions, subscriptions, and inquiries should be addressed. Advisory editorial board: Paula Gunn Allen, Gretchen Bataille, Joseph Bruchac, Vine Deloria, Jr., Larry Evers, Dell Hymes, Maurice Kenny, Robert Sayre. Bibliographer, A. LaVonne Ruoff. Editor, Karl Kroeber. ©1980 SAIL
Contact: Robert Nelson This page was last modified on: 10/20/00 |