Journalism 201, News Writing
Instructor: Tom Mullen, 649-6108/270-2499Writing news stories is fast-paced, demanding work. You will find out why in this course and learn how to do it well. If you apply yourself, you will be a better writer by the end of the semester.
This is a challenging course because of skills required to be a good writer and my standards of grading your writing. I will grade your work closely, and I urge you to pay close attention to comments I make on your stories. Please let me know if you are not clear about something I've said. Communication is vital to success in this course.
Never forget this: Never assume.
At the bookstore
You'll need to get:
*Reporting for the Print Media, by Fred Fedler (seventh edition)
*The Elements of Style, by William Strunk Jr. and E.B. White (third
or latest edition)
*The Associated Press Stylebook
*The Craft of Interviewing, by John Brady
*A good dictionary
*Some reporter's notebooks and legal pads.
*You must read the Richmond Times-Dispatch print edition every
day; The Washington Post online or print edition every day; The
New York Times online edition, the day before class; The Collegian
every week; and other periodicals as assigned.
Attendance
You have to come to class. Period.
If you miss, you'll fall behind.
You don't want to fall behind in this course. We don't have time to wait for
you to catch up. This means you must also be on time for class. Get used to
meeting a deadline. Three late starts to class count as a missed class. If
you miss six classes, you will fail the course.
Let me know in advance if you have to miss a class for a non-emergency. You are responsible for finding out whatever assignments or material were covered in class. You can call a classmate or me. Missing class doesn't mean you can miss a deadline, unless you're dealing with an emergency such as a serious illness or family crisis. Please keep me informed of such events.
Here are some attendance incentives:
Miss no classes, and I'll drop your three lowest writing grades. (This could
boost you one letter grade at the end of the term.)
Miss one class, and I'll drop your two lowest writing grades.
Reading
Read the Richmond Times-Dispatch every day.
All of it - not just the sections you like. Read The Washington
Post. All of it. Read The Collegian. All of it. Read The New York
Times online - most of it. We will have frequent and unannounced
quizzes based on reading these newspapers. If you miss the quiz,
you can't make it up.
It's a good idea to also read as many different newspapers as
you can, as well as newsmagazines such as Time, Newsweek and U.S.
News and World Report.
One way to help your news writing is to read good news writing.
We'll spend time in class discussing and critiquing a wide range
of stories. Anything I write in the Times-Dispatch is fair game
for your criticism. Any mistakes you catch in my writing adds
to your grade.
Writing
Good writing doesn't come without practice. You'll write something
in class almost daily. And then you'll rewrite it . . . and rewrite
it again. . . and rewrite it again.
You'll do most every kind of news writing in this course. Some
of it will make you want to bite your nails and pull your hair
out. Most of it will be more pleasant.
Do not be discouraged by your early efforts. You will improve,
if you apply yourself. I am available to coach you by e-mail
before all of your assignments, unless I tell you otherwise.
Grades
I don't give grades - you earn them. Your work
will be graded according to professional standards, with more
tolerance at the start of the course and less as we go along.
In other words, your progress will be a good part of your final
grade. If you're doing C or D work early in the semester, I'm
looking for A or B work at the end. The grades you get toward
the last month or so of the semester are a good indicator of your
final mark. For example, if you start out getting Ds and Cs and
head into the homestretch with consistent Bs, you're likely to
get a B.
No writing grades will be given during the first two weeks of
the course, but I will edit your writing and expect you to learn
from feedback you get.
Here are some keys to getting a good grade: paying attention
to AP style; writing clearly and accurately; using more than one
source in stories; spelling correctly; participating in discussions;
coming to class; scoring well on quizzes and tests; showing effort
and interest.
Here are some ways to get an automatic F: misspelling a
name; writing stories with major factual errors; using only one
source in your stories; not participating in class; earning poor
quiz and test grades; showing little effort or interest; missing
a deadline; misspelling the following: accommodate, occurred,
a lot, receive and its (as a possessive). Remember, It's only
when it is. Also, you will lose five to 10 points if you use the
following words in your stories: really, great, very and awesome.
Do not use those words unless they are part of a direct quotation.
Ask me why.
Second chances: You get one shot at rewriting an F grade.
That effort is due by the next class period. You must submit the
original along with the rewrite. The rewrite counts one grade
lower than it might otherwise have earned. In other words, if
you turn in an A rewrite, it goes in the book as a B.
Grading key:
A -- outstanding work that requires minimal editing before
publishing.
B -- above average work that requires four or fewer minor editing
changes before publishing.
C -- average work that requires substantial editing and no more
than one rewriting effort before publishing.
D -- unacceptable work that contains multiple errors and requires
extensive editing and rewriting before possible publication.
F -- see the note above.
Making the grade:
60 percent: Writing assignments, in class and out;
25 percent: midterm (5 percent) and final exam (20 percent);
10 percent: quizzes, news tips;
5 percent: participation, effort
We will have frequent quizzes on news events, AP style, "The
Craft of Interviewing'' and other writing-related matters. Some
quizzes will be announced in advance.
NEWS TIPS
To get you used to thinking like reporters, you will turn in two campus-related story ideas every Tuesday at the start of class. Write these like an editor giving a news tip to a reporter. Include what you think the story is, why it's important, what the angle is and how the information can be obtained. I'll turn these in for possible follow-up by The Collegian. You may also e-mail these to me in advance of class.
FORMATS
Double space all of your stories. On each page, write your name in the upper left corner, the slug (a one-word description of the story) and the page number, like so:
Mullen
Riot
Page 1 of 1 (or Page 1 of 2, Page 2 of 3, and so on)
If you have more to write at the end of a page, write (MORE) at
the bottom. Use either the symbol # or -30- at the end.
Major assignments must be submitted by email as attached files in the Microsoft Word format, as well as hard copy. Your articles may be published on-line, so be meticulous about accuracy. Be sure to inform all interview sources fully that the interview is for publication, not merely a class exercise
A list of full names, phone numbers and email
addresses of any source quoted, paraphrased or cited must accompany
each of your stories. Presenting fictional interviews, quotes,
etc., as factual is an honor code violation, as well as a grave
breach of trust with readers, the instructor and yourself.
Final project
Your final project is to write a substantial,
campus-related news story that may be published in The Collegian
or elsewhere. Please remember to remind people you interview that
the story may be published. In professional terms, your final
exercise would be described as a project story or investigative
piece.
The story must have at least eight sources, more if you can. You
must demonstrate background research from some combination of
libraries, newspapers, magazines and computer databases. Start
early.
You'll need to turn in a one-page description of your story by
Feb 6. I want you to tell me why you think your story is worth
pursuing and how you plan to do it. I'll get that back to you
with my comments within a week.
By March 6, turn in at least a three page rough draft of the story.
I'll get that back with my comments within a week.
The final version of the story is due by final exam day, but you
may turn it in earlier.
Remember, I will work with you on your stories at every step.
On most assignments, I will coach you by e-mail before your work
is due. Ask for assistance and you will receive it. Don't wait
until the last minute.
Plagiarism: The easy access to sources provided by the internet has brought about a rash of plagiarism cases on campuses across the country. This involves taking someone else's words and using them as your own. Not only is this illegal but it is unethical and an honor code violation. If you are involved in plagiarism on any paper in this course, you will automatically flunk the course. It is fine to use material --narrative, quotes and indirect quotes--as long as you provide sources for each so that it is clear to the reader where the information comes from.
Honor pledge: You are expected to do your own work for this class unless I tell you otherwise. Failure to do so is a serious offense with serious consequences.
Tentative class schedule: This may change as the semester progresses. You'll have a number of out-of-class assignments, and we'll also have several guest speakers throughout the semester.
From The Craft of Interviewing
read:
Week 1 -- Chapters 1 and 2
Week 2 -- Chapters 3 and 4
Week 3 -- Chapters 5 and 6
Week 4 -- Chapters 7 and 8
Week 5 -- Chapters 9 and 10
Week 6 -- Chapters 11 and 12
Expect a short quiz weekly on material from this book.
The order from the Fedler text
may change. Please read the chapters assigned before class and
be prepared to lead part of a class discussion on each topic.
Week 1 -- Chapters 1 and 2 (basics, grammar and spelling)
Week 2 -- Chapter 3 ( newswriting style); Chapter 4 (language
of news); Chapter 5 (selecting and reporting the news)
Week 3 -- Chapter 6 (basic leads); Chapter 7 (alternative leads);
deadline writing
Week 4 -- Chapter 8 (body of stories); follows; deadline writing
Week 5 -- Chapter 9 (quotes and attribution); Chapter 10 ( interviews);
deadline writing
Week 6 -- Interviewing; Chapter 11 (obituaries); improving your
writing
Week 7 -- Review; Chapter 12 (speeches and meetings)
Week 8 -- Speeches and meetings; improving your writing; midterm
Week 9 -- Chapter 13 (specialized stories); Chapter 15, (public
affairs reporting)
Week 10 -- Chapter 15 (public affairs: police reporting, courts,
government, political reporting)
Week 11 -- Chapter 15, (politics); Chapter 16 (Internet)
Week 12 -- Chapter 14 (feature writing)
Week 13 -- Chapter 19 (working with PR); Chapter 20 (communications
law)
Week 14 -- Chapter 21, ethics; review and final exam
The kicker
I will work with you like an editor on your stories before they are graded. I'll work with you like an editor in my grading. I care about good writing and I want to teach you to write well. If you are eager to help yourself improve, I am eager to help you.