Holistic vs. Analytic Scoring

of Writing


Holistic Scoring:

 

Demonstrates

Superiority

9
Strong control of the language; proficiency and variety in grammatical usage with few significant errors; broad command of vocabulary and of idiomatic language

Demonstrates

Competence

8

7
Good general control of grammatical structures despite some errors and/or some awkwardness of style. Good use of idioms and vocabulary. Reads smoothly overall.

Suggests

Competence

6

5
Fair ability to express ideas in target language; correct use of simple grammatical structures or use of more complex structures without numerous serious errors. Some apt vocabulary and idioms. Occasional signs of fluency and sense of style.

Suggests

Incompetence

4

3
Weak use of language with little control of grammatical structures. Limited vocabulary. Frequent use of anglicisms, which force interpretations on the part of the reader. Occasional redeeming features.

Demonstrates

Incompetence

2

1
Clearly unacceptable from most points of view. Almost total lack of vocabulary resources, little or no sense of idiom and/or style. Essentially translated from English.

Floating point
A one-point bonus should be awarded for a coherent and well-organized essay or for a particularly inventive one.

Taken from Johnson's Grading the Advanced Placement Examination
in French Language
, Princeton, NJ: Advanced Placed Program
of the College Board, 1983.

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Analytic Scoring:

Evaluation Criteria for Analytic Scoring

Grammar and Structures
A = excellent control, very few errors 
B = comprehensible, some errors 
C = substantial and significant errors 
D = one or more blocks to communication 
F = unintelligible

Vocabulary Choice
A = skilled use of vocabulary relevant to context; widely varied 
B = clear, appropriate, and sophisticated choice of vocabulary 
C = errors, but evidence of attempts at sophistication and appropriateness 
D = errors and/or inappropriate choice of vocabulary 
F = totally inappropriate choice of vocabulary masking meaning

Fluency and Creativity
A = highly creative and original; extremely smooth text; amount of text 
       commensurate with topic and content; good organization 
B = good degree of creativity; relatively smooth text; acceptable organization; 
       sufficient amount of text 
C = some attempts at creativity; loose organization; text is rather monotonous 
       due to lack of variety of structures 
D = hard to follow; organization undermines intelligibility; very little originality 
       and creativity 
F = no evidence of creativity; no attempt at organization; no apparent structure

Content and Relevance
A = significant, interesting, appropriate; well thought-out; appropriate to 
       assignment 
B = generally good work, but facts may be unsupported; repetitions or clichés 
       may be apparent 
C = careless development of data relevant to content 
D = no effort to make content significant to the composition 
F = incoherent and wildly inappropriate content

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Works Cited

Cooper, Charles R. and Lee Odell, (Eds.). 1977. "Holistic Evaluation of Writing." In C.R. Cooper and L. Odell (Eds.),
            Evaluating Writing. Urbana, IL: National Council of Teachers of English, 3-31.

Hughes, Arthur. 1989. Testing for Language Teachers. Cambridge: Cambridge University Press.

Johnson, Leonard W. 1983. "Grading the Advanced Placement Examination in French Language." Princeton, NJ:
            Advanced Placement Program of the College Board.

Scott, Virginia Mitchell. 1996. Rethinking Foreign Language Writing. Boston: Heinle & Heinle Publishers.

Terry, Robert M. 1989. "Teaching and Evaluating Writing as a Communicative Skill." Foreign Language Annals.
            22 (1): 43-54.

_____. 1992. "Improving Inter-rater Reliability in Scoring Tests in Multisection Courses." AAUSC Issues in Language
            Program Direction: Development and Supervision of Teaching Assistants in Foreign Languages. Boston:
            Heinle & Heinle Publishers.

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